LAST TANGO in HALIFAX

By heck, but British screen drama just gets better, don’t you think? I watch a lot for its entertainment value, and also because I appreciate the way the writers make it work. Writers can learn a lot by watching how the masters do it. This last couple of months or so we’ve been treated to such gems as Peaky Blinders, The Paradise, The Tunnel, the individual plays in the series Drama Matters on Sky Living, and Last Tango in Halifax – which is what I want to talk about.

– In fact, quite a lot of people are talking about this right now. The viewing figures for episode 2 of the current (second) series were 7.42 million (BARB w/e 24 November 2013). I can remember a time when programme viewing figures went as high as 18 million and beyond, but you have to bear in mind that in those days there were only three channels, so Last Tango’s figures are fantastic.

The writer Sally Wainwright was born in Huddersfield and has lived in Halifax, like me, but that is where the similarities end. She’s great at creating characters, and says that she writes about the type of people she knows, which makes her a great observer, giving her creations eccentricities, making them different, adding a touch of daring, nudging the boundaries of what is considered normal, whilst retaining credibility. Whether we like to admit or not, we are fascinated by other people, no doubt as we try to find some meaning in life. And this is how Sally does it: she takes ordinary people, gives them a quirk or two (or three), and then gradually lets the audience in on it by teasing and allowing the story to develop around these foibles or strengths.

In addition Sally is also writing major parts for older actors; these are not cameos or minor role prop-ups (as I call them), but big, juicy parts. This has given Derek Jacobi (Alan), who usually plays popes and kings, the rare opportunity to play a working-class Yorkshireman, and actress Anne Reid (Celia) the opportunity to play a character with such inner conflicts and bigoted attitudes, who finds herself being educated by her fiancé.

Into the mix add the alchemy between the characters as typified by the chemistry between Alan and Celia, and the real-life chemistry that exists between Anne Reid and Sara Lancashire. Then there’s the attention and involvement from the producer Karen Lewis, who is on set at all times, and which makes such a difference to the production. The quality of the cast adds yet another ingredient and reminds us that Red Production Company has invested heavily in this project – and I’m not talking mere money here – due, I feel, to the quality of the writing. Sally Wainwright has an original voice, and for me she is up there with the likes of Kay Mellor, Jimmy McGovern, Anthony Horowitz, Lynda La Plante.

Sally doesn’t have problems writing dialogue, but instead agonises over story. I don’t think she needs to worry, although I can appreciate that the odd fright or two are part and parcel of the writing process and helps with honing the final draft into the finished article. She is an expert. Think: Unforgiven (2009), At Home with the Braithwaites (2000), and one of my favourites The Amazing Mrs Pritchard (2006). Oh, and not forgetting Scott & Bailey (2011). Romantic comedy isn’t her only speciality, as we can see from this list. There is also The Last Witch that was one of Sky Living’s Drama Matters plays mentioned above. In 2014 there will be Happy Valley, also filmed in the Halifax area, and this – and I’m quoting the producer, here – is a cross between Juliet Bravo and Fargo.

I would say there’s a damn good chance it will be brilliant.

Unforgiven

I know when a film or television programme has impressed me because the following morning I awake thinking about it. It's almost as if I have been playing it again whilst asleep. Believe me when I say that I am not conscious of having any choice in the matter.

This morning it was Unforgiven, written by Sally Wainwright. This was shown on ITV in early 2009 (and repeated in our living room yesterday evening) and is the story of a woman who has served 15 years in prison for killing two police officers. Set and filmed in and around Halifax, which isn't a million miles away from where I live, the script is remarkable for its mix of compelling characters, setups, conflict and a damned good story.

I'm not usually a fan of stuff "made somewhere up north" with the tendency to film amongst rows of terraced houses, council estates and other stereotypical images, but Unforgiven doesn't quite fit into that category and instead expertly mixes locations, images and social classes. It's not only the writing – it's the direction and the acting. Everyone's performance is faultless and I can only hope, if ever one of my screenplays gets the treatment, that it will be blessed with such outstanding performances.

It is amazing and – I know I've said this before and will keep on doing so – scriptwriters old and new can learn much from this excellent writing.

Sally Wainwright does not appear to have a personal website. Maybe she is too busy, which is understandable, but if you know any different please follow the link on the right to my website, choose "contact" and let me know.